'trees with curved drooping branches, With the doliches creepers clinging to them'
This kind of parasitic treatment of the plant that, two poems ago, was a powerful/spreading symbol of the family is a bit unexpected.
The xing of placing the drooping branches and clinging vine next to the lady--are we supposed to read her ideal femininity as similarly dependent/clinging?
Princely/happiness/dignity are all unexpectedly noble, masc-coded, subject-centring adjectives, though. Feels like the sort of poem that could have been written about a male subject?
Re: Jiu Mu
'trees with curved drooping branches,
With the doliches creepers clinging to them'
This kind of parasitic treatment of the plant that, two poems ago, was a powerful/spreading symbol of the family is a bit unexpected.
The xing of placing the drooping branches and clinging vine next to the lady--are we supposed to read her ideal femininity as similarly dependent/clinging?
Princely/happiness/dignity are all unexpectedly noble, masc-coded, subject-centring adjectives, though. Feels like the sort of poem that could have been written about a male subject?