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First off, THANK YOU for your email and poem responses this week! Please do check out each others' thoughts in the comments. There's some fun stuff to build off of, and it's less intimidating to offer up some thoughts if we're having a conversation. I'm looking forward to getting into these this evening.
Some notes:
* Two members asked for weekly email reminders on Saturday, so I've figured out how to set that up. If you did NOT get an email yesterday, I haven't got you on the list. If you'd like to be on the list, please let me know!
If you would like *not* to be on the list, let's see whether the first Automated Email on Saturday has an unsubscribe option? If it doesn't, please just respond 'unsubscribe' or something and I'll take you off the reminder.
* One member asked that we do a classic Tang collection right after this one, for something a bit more modern and approachable (she phrased it as the difference between Chaucer and Shakespeare). Unless there are objections, I'm very happy to jump forward in time--we can always circle back to danker parts later if/when we feel like it, and Tang is regarded as some very good shit.
* If you have further ideas, please let me know on this post.
* IF YOU HAVE FRIENDS WHO MIGHT LIKE TO JOIN, please also let me know on this post. I think we're getting to a more stable point, where a handful of additional commenters would be welcome?
* If you haven't read it yet, chapter one, on tetrasyllabic shi poetry, in How to Read Chinese Poetry is hugely useful for the Book of Odes, imo.
Thank you!
Some notes:
* Two members asked for weekly email reminders on Saturday, so I've figured out how to set that up. If you did NOT get an email yesterday, I haven't got you on the list. If you'd like to be on the list, please let me know!
If you would like *not* to be on the list, let's see whether the first Automated Email on Saturday has an unsubscribe option? If it doesn't, please just respond 'unsubscribe' or something and I'll take you off the reminder.
* One member asked that we do a classic Tang collection right after this one, for something a bit more modern and approachable (she phrased it as the difference between Chaucer and Shakespeare). Unless there are objections, I'm very happy to jump forward in time--we can always circle back to danker parts later if/when we feel like it, and Tang is regarded as some very good shit.
* If you have further ideas, please let me know on this post.
* IF YOU HAVE FRIENDS WHO MIGHT LIKE TO JOIN, please also let me know on this post. I think we're getting to a more stable point, where a handful of additional commenters would be welcome?
* If you haven't read it yet, chapter one, on tetrasyllabic shi poetry, in How to Read Chinese Poetry is hugely useful for the Book of Odes, imo.
Thank you!
Re: 49. 鶉之奔奔 - Chun Zhi Ben Ben
The second line of each couplet has a repeating structure as emphasis that is a nuance missed in the English.
I might choose to go:
"a man without kindness, I regarded him as brother."
"a woman without kindness, I regarded her noble."
But then, I'm uncertain I understand the entire poem, and am only suggesting what reads better to me in English with some understanding of the Chinese itself.
In order to imitate the repetition?
Re: 49. 鶉之奔奔 - Chun Zhi Ben Ben
Baidu says this used to be read as a poem to criticize the monarch, while modern scholars think it's a poem about women blaming men. (At least one of the many people mentioned is the same lady as in 46/47, but also apparently two women had the same name so it might not be the same one -- Baidu inconveniently doesn't hyperlink the name so I can't check, and my history isn't strong enough to parse out all the names)
Re: 49. 鶉之奔奔 - Chun Zhi Ben Ben
I think that, structurally, this is my favorite so far. The repetitive elements hit just right.