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[personal profile] x_los
 This week, we're reading poems 13-18 in, and thus finishing up, this collection. Because of the nature of the book in question, I'll ask you to refer here for Chinese and English copies of the poems and the images together.

You can 
view the scroll as a whole more easily and read some background on the Met's website; the Wiki page will also help orient you. In case it's useful, here is a plain-text version of the scroll. 

This is the final week we'll be spending on this poem cycle. Please check the previous two entries if you'd like further background information.
x_los: (Default)
[personal profile] x_los
This week, we're reading poems 7-12 in this collection. Because of the nature of the book in question, I'll ask you to refer here for Chinese and English copies of the poems and the images together.

You can 
view the scroll as a whole more easily and read some background on the Met's website; the Wiki page will also help orient you. In case it's useful, here is a plain-text version of the scroll. 

This is the second of three weeks we'll be spending on this collection. I'll link us to some additional background information in the coming weeks, once we've had a chance to orient ourselves; this is the first time the piece we're looking at has come with its own explanatory material, and that's a sound starting-point. 

This Harvard
project on the scroll looks interesting, but I can't access it in Chrome or Safari; it might just be dead.

The Met provides us with some short, online-accessible monographs which offer may context for the pictorial aspect of the scroll: 


Sung and Yuan Paintings

Landscapes Clear and Radiant: The Art of Wang Hui (1632–1717)

Beyond Representation: Chinese Painting and Calligraphy, Eighth–Fourteenth Century

Along the Border of Heaven: Sung and Yüan Paintings from the C. C. Wang Collection

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[personal profile] x_los
Eighteen Songs of a Nomad Flute is "a series of Chinese songs and poems about the life of Han Dynasty (202 BCE – 220 CE) poet Cai Wenji[;] the songs were composed by Liu Shang, a poet of the middle Tang Dynasty. Later Emperor Gaozong of Song (1107–1187) commissioned a handscroll with the songs accompanied by 18 painted scenes." 

This week, we're reading poems 1-6, up to page 40, in
this collection. Because of the nature of the book in question, I'll ask you to refer here for Chinese and English copies of the poems and the images together.

You can
view the scroll as a whole more easily and read some background on the Met's website; the Wiki page will also help orient you.  

This is the first of three weeks we'll be spending on this collection. I'll link us to some additional background information in the coming weeks, once we've had a chance to orient ourselves; this is the first time the piece we're looking at has come with its own explanatory material, and that's a sound starting-point. 

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Danmei Dank Odes

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