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This week, we're finishing Eliot Weinberger's "Nineteen Ways of Looking at Wang Wei". This short book discusses many ways to translate a single, brief Tang dynasty poem and the choices involved therein. This week, we'll look at the last ten poems. 

I'll reproduce the translations under discussion here, but c/ping from the pdf is not very reliable and frequently introduces errors. I'm including the text here primarily as a reference point for our discussions: I advise you to look at the book file itself for your reading.
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This week and next, we're looking at Eliot Weinberger's "Nineteen Ways of Looking at Wang Wei". This short book discusses many ways to translate a single, brief Tang dynasty poem and the choices involved therein. We'll look at the first nine poems (or versions thereof) this week, and the remainder the following. 

I'll reproduce the translations under discussion here, but c/ping from the pdf is not very reliable and frequently introduces errors. I'm including the text here primarily as a reference point for our discussions: I advise you to look at the book file itself for your reading.
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This is week 7/7 on David Hawkes' Little Primer of Du Fu. I'll replicate the poems themselves here, but this book contains considerable exegesis, so I do advise you to grab this copy.

 

This week we're reading poems 31 through 35, inclusive.

 

How to Read Chinese Poetry (https://dankodes.dreamwidth.org/1483.html?thread=16843#cmt16843) has two chapters on forms Du Fu uses extensively:

 

Ch 8, Recent Style Shi Poetry, Pentasyllabic Regulated Verse (Wuyan Lüshi

Ch 9, Recent Style Shi Poetry, Heptasyllabic Regulated Verse (Qiyan Lüshi

 

Three other chapters on other verse forms Du Fu sometimes employs, or which people quoting Du Fu employ, also mention him:

 

Ch 10,  Recent Style Shi Poetry, Quatrains (Jueju): some mention of Du Fu’s “Three Quatrains, No. 3”

Ch 14, Ci Poetry,  Long Song Lyrics on Objects (Yongwu Ci): some mention of Du Fu's “Beautiful Lady” (Jiaren)

Ch 18, A Synthesis:  Rhythm, Syntax, and Vision of Chinese Poetry: some mention of Du Fu’s poem “The Jiang and Han Rivers” 

 

Additional Reading for this Week: Ch 4 of Chinese Poetry in Translation, “Purpose and Form: On the Translation of Classical Chinese Poetry”

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This is week 6/7 on David Hawkes' Little Primer of Du Fu. I'll replicate the poems themselves here, but this book contains considerable exegesis, so I do advise you to grab this copy.

 

This week we're reading poems 26 through 30, inclusive.

 

How to Read Chinese Poetry has two chapters on forms Du Fu uses extensively:

 

Ch 8, Recent Style Shi Poetry, Pentasyllabic Regulated Verse (Wuyan Lüshi

Ch 9, Recent Style Shi Poetry, Heptasyllabic Regulated Verse (Qiyan Lüshi

 

Three other chapters on other verse forms Du Fu sometimes employs, or which people quoting Du Fu employ, also mention him:

 

Ch 10,  Recent Style Shi Poetry, Quatrains (Jueju): some mention of Du Fu’s “Three Quatrains, No. 3”

Ch 14, Ci Poetry,  Long Song Lyrics on Objects (Yongwu Ci): some mention of Du Fu's “Beautiful Lady” (Jiaren)

Ch 18, A Synthesis:  Rhythm, Syntax, and Vision of Chinese Poetry: some mention of Du Fu’s poem “The Jiang and Han Rivers” 

 

Additional Reading for this Week: Chapter 18

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This is week 5/7 on David Hawkes' Little Primer of Du Fu. I'll replicate the poems themselves here, but this book contains considerable exegesis, so I do advise you to grab this copy.

 

This week we're reading poems 21 through 25, inclusive.

 

How to Read Chinese Poetry has two chapters on forms Du Fu uses extensively:

 

Ch 8, Recent Style Shi Poetry, Pentasyllabic Regulated Verse (Wuyan Lüshi

Ch 9, Recent Style Shi Poetry, Heptasyllabic Regulated Verse (Qiyan Lüshi

 

Three other chapters on other verse forms Du Fu sometimes employs, or which people quoting Du Fu employ, also mention him:

 

Ch 10,  Recent Style Shi Poetry, Quatrains (Jueju): some mention of Du Fu’s “Three Quatrains, No. 3”

Ch 14, Ci Poetry,  Long Song Lyrics on Objects (Yongwu Ci): some mention of Du Fu's “Beautiful Lady” (Jiaren)

Ch 18, A Synthesis:  Rhythm, Syntax, and Vision of Chinese Poetry: some mention of Du Fu’s poem “The Jiang and Han Rivers” 

 

Additional Reading for this Week: Chapter 10

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 This is week 4/7 on David Hawkes' Little Primer of Du Fu. I'll replicate the poems themselves here, but this book contains considerable exegesis, so I do advise you to grab this copy.

 

This week we're reading poems 16 through 20, inclusive.

 

How to Read Chinese Poetry (https://dankodes.dreamwidth.org/1483.html?thread=16843#cmt16843) has two chapters on forms Du Fu uses extensively:

 

Ch 8, Recent Style Shi Poetry, Pentasyllabic Regulated Verse (Wuyan Lüshi

Ch 9, Recent Style Shi Poetry, Heptasyllabic Regulated Verse (Qiyan Lüshi

 

Three other chapters on other verse forms Du Fu sometimes employs, or which people quoting Du Fu employ, also mention him:

 

Ch 10,  Recent Style Shi Poetry, Quatrains (Jueju): some mention of Du Fu’s “Three Quatrains, No. 3”

Ch 14, Ci Poetry,  Long Song Lyrics on Objects (Yongwu Ci): some mention of Du Fu's “Beautiful Lady” (Jiaren)

Ch 18, A Synthesis:  Rhythm, Syntax, and Vision of Chinese Poetry: some mention of Du Fu’s poem “The Jiang and Han Rivers” 

 

Additional Reading for this Week: Chapter 9

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This is week 3/7 on David Hawkes' Little Primer of Du Fu. I'll replicate the poems themselves here, but as this book contains considerable exegesis I advise you to grab this copy.

 

This week we're reading poems 11 through 15, inclusive.

 

How to Read Chinese Poetry has two chapters on forms Du Fu uses extensively:

 

Ch 8, Recent Style Shi Poetry, Pentasyllabic Regulated Verse (Wuyan Lüshi

Ch 9, Recent Style Shi Poetry, Heptasyllabic Regulated Verse (Qiyan Lüshi

 

Three other chapters on other verse forms that Du Fu sometimes employs, or which people quoting Du Fu employ, also mention him:

 

Ch 10,  Recent Style Shi Poetry, Quatrains (Jueju): some mention of Du Fu’s “Three Quatrains, No. 3”

Ch 14, Ci Poetry,  Long Song Lyrics on Objects (Yongwu Ci): some mention of Du Fu's “Beautiful Lady” (Jiaren)

Ch 18, A Synthesis:  Rhythm, Syntax, and Vision of Chinese Poetry: some mention of Du Fu’s poem “The Jiang and Han Rivers” 

 

Additional Reading for this Week: Chapter 8

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This is week 2/7 on David Hawkes' Little Primer of Du Fu. I'll replicate the poems themselves here, but this book contains considerable exegesis, so I do advise you to grab this copy.

This week we're reading poems 6 through 10, inclusive.

How to Read Chinese Poetry in Context's Chapter 15, "Du Fu: The Poet as Historian", is relevant to Hawkes' focus. (Next week's Additional Readings are more focused on poetics.)
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This week we start David Hawkes' Little Primer of Du Fu. I'll replicate the poems themselves here, but this book contains considerable exegesis, so I do advise you to grab this copy.

Because this exegesis is relatively substantial, let's start by reading poems 1 through 5, inclusive. There are 35 poems in the collection, so this should take us about seven weeks (unless we scale either up or down, after speaking about it).

I'm gathering additional research materials, but for this first week I'd like us to concentrate on Hawkes' introduction and the first of these poems. 
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First off, w h a t a title? Don't skimp on the drama, Bai Juyi: tell me how you really feel. 

"Composed by Bai Juyi in the year 806, The Song of Everlasting Regret (or Sorrow) details the events surrounding the death of the lady Yang Guifei during the Anshi Rebellion in 755. Yang Guifei was the beloved concubine of the Emperor Xuanzong of Tang." 

This is an approachable Tang dynasty poem of a little under 150 lines. Just read the above translation, and thought if anyone else had thoughts, this would be a good place to put them.
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