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The FINAL instalment of Li Qingzhao’s poetry. This book is freely available via De Gruyter's Library of Chinese Humanities in Mandarin and English and via several publication formats, including two open access options (the pdf appears to be better formatted than the ebook). We're reading the poems 3.57 through 3.66, inclusive.

How to Read Chinese Poetry has three chapters on the ci forms Li Qingzhao uses here: 

Chapter 12, Ci Poetry: Short Song Lyrics (Xiaoling) 

Chapter 13, Ci Poetry: Long Song Lyrics (Manci) 

Chapter 14, Ci Poetry: Long Song Lyrics on Objects (Yongwu Ci)


Recall from the introduction that everything after 3.35 is relatively likely to be misattributed. This is especially true after 3.45: these may be written deliberately 'in Li Qingzhao's style'. 

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The seventh instalment of Li Qingzhao’s ci poetry. This book is freely available via De Gruyter's Library of Chinese Humanities in Mandarin and English and via several publication formats, including two open access options (the pdf appears to be better formatted than the ebook). We're reading the poems 3.49 through 3.56, inclusive.

How to Read Chinese Poetry has three chapters on the ci forms Li Qingzhao uses here: 

Chapter 12, Ci Poetry: Short Song Lyrics (Xiaoling) 

Chapter 13, Ci Poetry: Long Song Lyrics (Manci) 

Chapter 14, Ci Poetry: Long Song Lyrics on Objects (Yongwu Ci)


Recall from the introduction that everything after 3.35 is relatively likely to be misattributed. This is especially true after 3.45: these may be written deliberately 'in Li Qingzhao's style'. 

If you’d like to be added to the reminder email list, let me know the address you wish to be contacted via. (You can also unsubscribe from the reminders at any time simply by replying ‘unsubscribe’.)
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The fifth instalment of Li Qingzhao’s ci poetry. This book is freely available via De Gruyter's Library of Chinese Humanities in Mandarin and English and via several publication formats, including two open access options (the pdf appears to be better formatted than the ebook). We're reading the poems 3.33 through 3.40, inclusive.
 

How to Read Chinese Poetry has three chapters on the ci forms Li Qingzhao uses here:

 

Chapter 12, Ci Poetry: Short Song Lyrics (Xiaoling) 

Chapter 13, Ci Poetry: Long Song Lyrics (Manci) 

Chapter 14, Ci Poetry: Long Song Lyrics on Objects (Yongwu Ci)

This week, we look at Chapter 14 as recommended additional reading. 

Recall from the introduction that everything after 3.35 is relatively likely to be misattributed.


If you’d like to be added to the reminder email list, let me know the address you wish to be contacted via. (You can also unsubscribe from the reminders at any time simply by replying ‘unsubscribe’.)

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The fourth instalment of Li Qingzhao’s ci poetry. This book is freely available via De Gruyter's Library of Chinese Humanities in Mandarin and English and via several publication formats, including two open access options (the pdf appears to be better formatted than the ebook). We're reading the poems 3.25 through 3.32, inclusive.


Four of this week’s poems have endnotes, but these offer only small points of Chinese language exegesis. 

How to Read Chinese Poetry has three chapters on the ci forms Li Qingzhao uses here:

 

Chapter 12, Ci Poetry: Short Song Lyrics (Xiaoling) 

Chapter 13, Ci Poetry: Long Song Lyrics (Manci) 

Chapter 14, Ci Poetry: Long Song Lyrics on Objects (Yongwu Ci)

This week, we look at Chapter 13 as recommended additional reading. 

It may interest you to know that if you’ve been doing the additional reading, you’re now more than 1/3 of the way through How to Read Chinese Poetry:

Ch 1 (Shi Jing)
Ch 5 (19 Old Poems)
Ch 8 (Du Fu
Ch 9 (Du Fu)
Ch 10 (Du Fu)
Ch 12 (Li Qingzhao)
Ch 18 (Du Fu)

These next two chapters related to ci poetry will see us to the halfway point.

In contrast, I’ve been neglecting Chinese Poetry in Context: I believe we've read only Ch 15. I hope to be more assiduous about recommending it in future, when we cover pertinent people. So far, we’ve been a bit misaligned (or I wasn’t yet recommending specific chapters for discussion, when something pertinent came up).

THIS WEEK, recall from the introduction that 3.24 - 3.28 may be misattributed.


If you’d like to be added to the reminder email list, let me know the address you wish to be contacted via. (You can also unsubscribe from the reminders at any time simply by replying ‘unsubscribe’.)

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The thrilling third instalment of Li Qingzhao’s ci poetry. This book is freely available via De Gruyter's Library of Chinese Humanities in Mandarin and English and via several publication formats, including two open access options (the pdf appears to be better formatted than the ebook). We're reading the poems 3.17 through 3.24, inclusive.


Four of this week’s poems have endnotes, but these offer only small points of Chinese language exegesis. 

How to Read Chinese Poetry has three chapters on the ci forms Li Qingzhao uses here:

 

Chapter 12, Ci Poetry: Short Song Lyrics (Xiaoling) 

Chapter 13, Ci Poetry: Long Song Lyrics (Manci) 

Chapter 14, Ci Poetry: Long Song Lyrics on Objects (Yongwu Ci)

This week, we look at Chapter 12 as recommended additional reading. 

  •  

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This week we continue working with Li Qingzhao’s ci poetry. As usual, the book is freely available via De Gruyter's Library of Chinese Humanities in Mandarin and English and via several publication formats, including two open access options (the pdf appears to be better formatted than the ebook). We're reading the poems 3.9 through 3.16 inclusive.


Three of this week’s poems have endnotes, but these offer only small points of Chinese language exegesis. 

How to Read Chinese Poetry has three chapters on the ci forms Li Qingzhao uses here:

 

Chapter 12, Ci Poetry: Short Song Lyrics (Xiaoling) 

Chapter 13, Ci Poetry: Long Song Lyrics (Manci) 

Chapter 14, Ci Poetry: Long Song Lyrics on Objects (Yongwu Ci)


From next week, we’ll be looking at these as recommended reading.

If you’d like to be added to the reminder email list, let me know the address you wish to be contacted via. (You can also unsubscribe from the reminders at any time simply by replying ‘unsubscribe’.)

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This week we start working with Li Qingzhao’s ci poetry. As usual, the book is freely available via De Gruyter's Library of Chinese Humanities in Mandarin and English and via several publication formats, including two open access options (the pdf appears to be better formatted than the ebook). We're reading the poems 3.1 through 3.8 inclusive.

This collection uses footnotes and endnotes to explicate the work. There are three endnotes for this week’s group of poems, but these aren’t very rich in exegesis.


CLP has an episode on Li Qingzhao you might find relevant.

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After a delay in which I came down with various interesting illnesses, we return to The Works of Li Qingzhao, freely available via De Gruyter's Library of Chinese Humanities in Mandarin and English and via several publication formats, including two open access options (the pdf appears to be better formatted than the ebook). This week we're reading the prose chapter: 2.1 through 2.5, inclusive.

This collection uses footnotes and end notes to explicate the work. A few of this week's poems have footnotes, so look out for that.

CLP has an episode on Li Qingzhao you might find relevant.
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Back at it again with The Works of Li Qingzhao, freely available via De Gruyter's Library of Chinese Humanities in Mandarin and English and via several publication formats, including two open access options (the pdf appears to be better formatted than the ebook). This week we're reading poems 1.13 to 1.18, inclusive.

This collection uses footnotes and end notes to explicate the work. A few of this week's poems have footnotes, so look out for that.

CLP has an episode on Li Qingzhao you might find relevant.
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Welcome back to The Works of Li Qingzhao, freely available via De Gruyter's Library of Chinese Humanities in Mandarin and English and via several publication formats, including two open access options (the pdf appears to be better formatted than the ebook; it might be worth someone letting them know as much). This week we're reading poems 1.6 to 1.12, inclusive.

This collection uses footnotes and end notes to explicate the work. A few of this week's poems have footnotes, so look out for that.

CLP has an episode on Li Qingzhao you might find relevant.
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This week we're reading The Works of Li Qingzhao, freely available via De Gruyter's Library of Chinese Humanities in Mandarin and English and via several publication formats, including two open access options (the pdf appears to be better formatted than the ebook; it might be worth someone letting them know as much). We're starting with the introduction and poems 1.1 to 1.5, inclusive.

This collection uses footnotes and end notes to explicate the work (though none of this week's poems has an end note).

We might get into more English exegesis, but this week the Introduction gives us more than enough of that to be getting on with.

CLP has an episode on Li Qingzhao you might find relevant.
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This week, we're finishing Eliot Weinberger's "Nineteen Ways of Looking at Wang Wei". This short book discusses many ways to translate a single, brief Tang dynasty poem and the choices involved therein. This week, we'll look at the last ten poems. 

I'll reproduce the translations under discussion here, but c/ping from the pdf is not very reliable and frequently introduces errors. I'm including the text here primarily as a reference point for our discussions: I advise you to look at the book file itself for your reading.
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This week and next, we're looking at Eliot Weinberger's "Nineteen Ways of Looking at Wang Wei". This short book discusses many ways to translate a single, brief Tang dynasty poem and the choices involved therein. We'll look at the first nine poems (or versions thereof) this week, and the remainder the following. 

I'll reproduce the translations under discussion here, but c/ping from the pdf is not very reliable and frequently introduces errors. I'm including the text here primarily as a reference point for our discussions: I advise you to look at the book file itself for your reading.
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This is week 7/7 on David Hawkes' Little Primer of Du Fu. I'll replicate the poems themselves here, but this book contains considerable exegesis, so I do advise you to grab this copy.

 

This week we're reading poems 31 through 35, inclusive.

 

How to Read Chinese Poetry (https://dankodes.dreamwidth.org/1483.html?thread=16843#cmt16843) has two chapters on forms Du Fu uses extensively:

 

Ch 8, Recent Style Shi Poetry, Pentasyllabic Regulated Verse (Wuyan Lüshi

Ch 9, Recent Style Shi Poetry, Heptasyllabic Regulated Verse (Qiyan Lüshi

 

Three other chapters on other verse forms Du Fu sometimes employs, or which people quoting Du Fu employ, also mention him:

 

Ch 10,  Recent Style Shi Poetry, Quatrains (Jueju): some mention of Du Fu’s “Three Quatrains, No. 3”

Ch 14, Ci Poetry,  Long Song Lyrics on Objects (Yongwu Ci): some mention of Du Fu's “Beautiful Lady” (Jiaren)

Ch 18, A Synthesis:  Rhythm, Syntax, and Vision of Chinese Poetry: some mention of Du Fu’s poem “The Jiang and Han Rivers” 

 

Additional Reading for this Week: Ch 4 of Chinese Poetry in Translation, “Purpose and Form: On the Translation of Classical Chinese Poetry”

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This is week 6/7 on David Hawkes' Little Primer of Du Fu. I'll replicate the poems themselves here, but this book contains considerable exegesis, so I do advise you to grab this copy.

 

This week we're reading poems 26 through 30, inclusive.

 

How to Read Chinese Poetry has two chapters on forms Du Fu uses extensively:

 

Ch 8, Recent Style Shi Poetry, Pentasyllabic Regulated Verse (Wuyan Lüshi

Ch 9, Recent Style Shi Poetry, Heptasyllabic Regulated Verse (Qiyan Lüshi

 

Three other chapters on other verse forms Du Fu sometimes employs, or which people quoting Du Fu employ, also mention him:

 

Ch 10,  Recent Style Shi Poetry, Quatrains (Jueju): some mention of Du Fu’s “Three Quatrains, No. 3”

Ch 14, Ci Poetry,  Long Song Lyrics on Objects (Yongwu Ci): some mention of Du Fu's “Beautiful Lady” (Jiaren)

Ch 18, A Synthesis:  Rhythm, Syntax, and Vision of Chinese Poetry: some mention of Du Fu’s poem “The Jiang and Han Rivers” 

 

Additional Reading for this Week: Chapter 18

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This is week 5/7 on David Hawkes' Little Primer of Du Fu. I'll replicate the poems themselves here, but this book contains considerable exegesis, so I do advise you to grab this copy.

 

This week we're reading poems 21 through 25, inclusive.

 

How to Read Chinese Poetry has two chapters on forms Du Fu uses extensively:

 

Ch 8, Recent Style Shi Poetry, Pentasyllabic Regulated Verse (Wuyan Lüshi

Ch 9, Recent Style Shi Poetry, Heptasyllabic Regulated Verse (Qiyan Lüshi

 

Three other chapters on other verse forms Du Fu sometimes employs, or which people quoting Du Fu employ, also mention him:

 

Ch 10,  Recent Style Shi Poetry, Quatrains (Jueju): some mention of Du Fu’s “Three Quatrains, No. 3”

Ch 14, Ci Poetry,  Long Song Lyrics on Objects (Yongwu Ci): some mention of Du Fu's “Beautiful Lady” (Jiaren)

Ch 18, A Synthesis:  Rhythm, Syntax, and Vision of Chinese Poetry: some mention of Du Fu’s poem “The Jiang and Han Rivers” 

 

Additional Reading for this Week: Chapter 10

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 This is week 4/7 on David Hawkes' Little Primer of Du Fu. I'll replicate the poems themselves here, but this book contains considerable exegesis, so I do advise you to grab this copy.

 

This week we're reading poems 16 through 20, inclusive.

 

How to Read Chinese Poetry (https://dankodes.dreamwidth.org/1483.html?thread=16843#cmt16843) has two chapters on forms Du Fu uses extensively:

 

Ch 8, Recent Style Shi Poetry, Pentasyllabic Regulated Verse (Wuyan Lüshi

Ch 9, Recent Style Shi Poetry, Heptasyllabic Regulated Verse (Qiyan Lüshi

 

Three other chapters on other verse forms Du Fu sometimes employs, or which people quoting Du Fu employ, also mention him:

 

Ch 10,  Recent Style Shi Poetry, Quatrains (Jueju): some mention of Du Fu’s “Three Quatrains, No. 3”

Ch 14, Ci Poetry,  Long Song Lyrics on Objects (Yongwu Ci): some mention of Du Fu's “Beautiful Lady” (Jiaren)

Ch 18, A Synthesis:  Rhythm, Syntax, and Vision of Chinese Poetry: some mention of Du Fu’s poem “The Jiang and Han Rivers” 

 

Additional Reading for this Week: Chapter 9

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This is week 3/7 on David Hawkes' Little Primer of Du Fu. I'll replicate the poems themselves here, but as this book contains considerable exegesis I advise you to grab this copy.

 

This week we're reading poems 11 through 15, inclusive.

 

How to Read Chinese Poetry has two chapters on forms Du Fu uses extensively:

 

Ch 8, Recent Style Shi Poetry, Pentasyllabic Regulated Verse (Wuyan Lüshi

Ch 9, Recent Style Shi Poetry, Heptasyllabic Regulated Verse (Qiyan Lüshi

 

Three other chapters on other verse forms that Du Fu sometimes employs, or which people quoting Du Fu employ, also mention him:

 

Ch 10,  Recent Style Shi Poetry, Quatrains (Jueju): some mention of Du Fu’s “Three Quatrains, No. 3”

Ch 14, Ci Poetry,  Long Song Lyrics on Objects (Yongwu Ci): some mention of Du Fu's “Beautiful Lady” (Jiaren)

Ch 18, A Synthesis:  Rhythm, Syntax, and Vision of Chinese Poetry: some mention of Du Fu’s poem “The Jiang and Han Rivers” 

 

Additional Reading for this Week: Chapter 8

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This is week 2/7 on David Hawkes' Little Primer of Du Fu. I'll replicate the poems themselves here, but this book contains considerable exegesis, so I do advise you to grab this copy.

This week we're reading poems 6 through 10, inclusive.

How to Read Chinese Poetry in Context's Chapter 15, "Du Fu: The Poet as Historian", is relevant to Hawkes' focus. (Next week's Additional Readings are more focused on poetics.)
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This week we start David Hawkes' Little Primer of Du Fu. I'll replicate the poems themselves here, but this book contains considerable exegesis, so I do advise you to grab this copy.

Because this exegesis is relatively substantial, let's start by reading poems 1 through 5, inclusive. There are 35 poems in the collection, so this should take us about seven weeks (unless we scale either up or down, after speaking about it).

I'm gathering additional research materials, but for this first week I'd like us to concentrate on Hawkes' introduction and the first of these poems. 

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