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Welcome to Minor Odes of the Kingdom!

* I found the best option for the weekly reminder emails, via Gmail. The external service options are more involved than our purposes require. Does anyone know anything about how to arrange an 
Apps Script? Basically all it has to do is tell ten people, on Saturdays, to come and get their juice/poems.

Until someone knows what to do there, I'll send out manual messages weekly. If you'd like to receive these and are not getting them, please let me know.

* If you haven't read it yet, chapter one, on tetrasyllabic shi poetry, in 
How to Read Chinese Poetry is hugely useful for the Book of Odes, imo.

* IF YOU HAVE FRIENDS WHO MIGHT LIKE TO JOIN or have other ideas, please let me know on 
this post.

* Every week I search the poems' English results to see if I can find any scholarship or neat bits and pop the results in Resources. Here is this week's 
collection.

* In case you missed it and are interested, some people on the com are doing a Nirvana in Fire read-along 
here. Anyone with thoughts is welcome to chime in. 

**NEXT BATCH MARCH 29.**
Date: 2021-03-28 11:07 pm (UTC)

Re: 169. 杕杜 - Di Du

superborb: (Default)
From: [personal profile] superborb
Baike: this poem mostly uses fu (last two stanzas) and xing (first two phrases of the first two stanzas) techniques.

The second stanza implies that a year has passed, as the tree is now luxuriant again. This is the same technique used in the line 昔我往矣,杨柳依依 in 167.

Apparently it's a source of debate if the poem, or if specific sections of the poem, are from a male or female POV. Mao's commentary has the entire POV as the male soldier thinking about a woman. However, certain stanzas are more straightforward from either the male or female POV.

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