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dankodes * I found the best option for the weekly reminder emails, via Gmail. The external service options are more involved than our purposes require. Does anyone know anything about how to arrange an Apps Script? Basically all it has to do is tell ten people, on Saturdays, to come and get their juice/poems.
Until someone knows what to do there, I'll send out manual messages weekly. If you'd like to receive these and are not getting them, please let me know.
* If you haven't read it yet, chapter one, on tetrasyllabic shi poetry, in How to Read Chinese Poetry is hugely useful for the Book of Odes, imo.
* Remember you can also look at How to Read Chinese Poetry in Context.
* IF YOU HAVE FRIENDS WHO MIGHT LIKE TO JOIN or have other ideas, please let me know on this post.
* Every week I search the poems' English results to see if I can find any scholarship or neat bits and pop the results in Resources. Here is this week's collection.
**NEXT BATCH MAY 24.**
Until someone knows what to do there, I'll send out manual messages weekly. If you'd like to receive these and are not getting them, please let me know.
* If you haven't read it yet, chapter one, on tetrasyllabic shi poetry, in How to Read Chinese Poetry is hugely useful for the Book of Odes, imo.
* Remember you can also look at How to Read Chinese Poetry in Context.
* IF YOU HAVE FRIENDS WHO MIGHT LIKE TO JOIN or have other ideas, please let me know on this post.
* Every week I search the poems' English results to see if I can find any scholarship or neat bits and pop the results in Resources. Here is this week's collection.
**NEXT BATCH MAY 24.**
Re: 235. 文王 - Wen Wang
https://scholar.princeton.edu/sites/default/files/mkern/files/the_formation_of_the_classic_of_poetry_0.pdf
The “Major Court Hymns” display a particular focus on King Wen,with two hymns, “King Wen” (Mao 235 “Wen wang”) and “King WenHas Fame” (Mao 244 “Wen wang you sheng”), entirely devoted to hispraise. In addition, another five hymns have been read as a set recallingthe story of King Wen.29 Here again, we may be witnessing less a setof discrete poems than a large repertoire of verse from which to recallthe origin of the Zhou.“King Wen,” the first of the “Major Court Hymns,” unfolds as follows, including shared lines with five other poems, among them “ClearTemple,” the first of the “Eulogies of Zhou”:King Wen is on high, / oh, shining in Heaven. / Though Zhou is an oldstate, / its mandate, it is new. / With Zhou, he was greatly illustrious, /God’s mandate was greatly timely. / King Wen ascends and descends /to God’s left side and right.Vigorous, vigorous was King Wen, / his good fame never ceases. / Arrayed are the bestowals on Zhou, / extending to King Wen’s line of descendants. / King Wen’s line of descendants / grows as root andbranches for a hundred generations. / All the officers of Zhou / shall begreatly illustrious in each generation.Across generations greatly illustrious / reverently, reverently are theyin their plans. / Admirable are the many officers, / they are born in thisland of the king. / The king’s land is able to give birth to them, / andthey are the supporters of Zhou. / Dignified, dignified are the many officers, / King Wen, by them, is at ease.Solemn, solemn was King Wen, / continuously bright and reverent. /Great indeed is Heaven’s mandate, / from Shang’s line of descendants./ Shang’s line of descendants / were in number a hundred thousand. /[But] God on high gave the mandate, / making them subjects of Zhou.They were made subjects of Zhou / [but] Heaven’s mandate is not constant. / The officers of Yin are eagerly serving, / now conducting libations in the capital [of Zhou]. / When rising to conduct the libations, / they don the customary robes and axe-patterned caps. / Chosen subjects of the king, / never forget your ancestors!Never forget your ancestors, / display and cultivate their virtue! / Forever strive to conjoin with the mandate, / bringing manifold blessingsupon yourself. / When Yin had not yet lost the multitudes, / they wereable to conjoin with God on high. / Take [the fate of] Yin as your mirror, / the lofty appointment is not easy [to keep]!The mandate is not easy [to keep], / may it not cease with you! /Spread and make bright your good fame, / take your measure from andrely on Heaven! / [Yet] the doings of Heaven above / are withoutsound, without smell— / model yourself on King Wen, / and the myriad states will submit in trust.According to the sequence of the poems in the Mao Poetry and thecomments in their prefaces, the first eighteen hymns praise Kings Wen,Wu, and Cheng (r. 1042/35-1006 BCE); the next five reprehend KingLi (r. 857/53-842/28 BCE); the next six praise King Xuan (r. 827/25-782 BCE); and the final two reprehend King You (r. 781-771 BCE).The hymns are thus believed to reflect significant moments in the development of the Western Zhou dynasty, beginning with an initial“golden age” and ending with the dynastic collapse under King You,the prototypical “bad last ruler” (and mirror image of the last ruler ofShang).
Traditionally, the hymns, mostly attributed to anonymous court officials, have been regarded as witnesses to, and compositions of, theseinflection points; yet they may just as well be products of retrospectiveimagination. None of the more than ten thousand Western Zhou inscribed bronze vessels, bells, weapons, and other artifacts shares asingle couplet with any of the hymns. In the Zuo Tradition, one line offour characters from “King Wen” is first quoted in an entry nominallydated to 706 BCE,30 and another line from the same song appears in anentry dated to 688 BCE.31 The next recitations of, or short quotationsfrom, “Major Court Hymns” appear only from 655 BCE onward, andeven then only very sparingly until about the mid-sixth century BCE,when they begin to occur in somewhat higher frequency.32 Altogether, only twenty of these thirty-one poems are either mentioned by title orquoted. None is quoted in full, and the only quotation of a full stanzaof forty-eight characters appears in the entry for the year 514 BCE.33Moreover, quotations or recitations mentioned under particular years inthe Zuo Tradition did not necessarily take place during these times butmay have been inserted when the text was compiled some time in thelate fourth century BCE; the same may be true of the eleven “MajorCourt Hymns” quoted in the Conversations of the States.34 Even if allthese references were made on the historical occasions attributed tothem, the traces of “Major Court Hymns” in texts from before or during Kongzi’s lifetime would still be scant. Aside from a single stanzalength quotation, the textual record contains no more than a few dozenwords, beginning in 706 BCE and, hence, post-dating the reigns of theearly Zhou kings by more than three centuries.